-
notes each in
Arohana and Avarohana; Sa
Shuddha Ga and
Shuddha Ni;
TeevraMadhyama and Pa. It is
classified as an Audava/Audava
pentatonic raga. Aroha...
-
placed in
Kalyan thaat. All the (shuddha
swaras (natural notes)
along with (
teevra madhyam are used in it. Generally, its
vaadi swar (the most used, prin****l...
- this raga, as in Bhairav,
Rishabh and
Dhaivat are Komal(flat), but the
Teevra and the flat
nishad are added. The vadi-samvadi are
Pancham and Shadja....
-
svaras of
Vedic chanting are udatta,
anudatta and svarita.
Vedic music has
madhyama or ma as prin****l note so that
tonal movement is
possible towards lower...
-
dhaivat are
komal both in
ascent and
descent and the
madhyam varies from
teevra to
shuddh whereas the
gandhar and the
nishaad stay
shuddh throughout. In...
-
refer to
either "Natural" (shuddha) or
altered "Flat" (komal) or "Sharp" (
teevra)
versions of
their respective scale degrees. As with
movable do sol****e...
-
higher than Sa). Ma has an
altered partner that is a half-step
higher (
teevra-"sharp") (thus,
tivra Ma is an
augmented fourth above Sa). Re, Ga, Ma, Dha...
