-
Arohana, Arohanam, Aroh or Aroha, in the
context of
Indian classical music, is the
ascending scale of
notes in a raga. The
pitch increases as we go up...
- (audava-audava raga in
Carnatic music classification –
audava meaning 'of 5'). Its
ārohaṇa-avarohaṇa
structure (ascending and
descending scale) is as
follows (see...
- in Todi, the
pancham is
omitted in the
Arohana,
whereas Shubhapanthuvarali uses the
panchamam in both the
arohana and avarohana. The
Carnatic Melakarta...
- Avroh,
Gandhar is skipped, like: G m r S.
Madhyam is an
important note.
Arohana : Sa Re Ga Ma Pa Dha Ni Ṡa Avarohana : Ṡa Ni Dha Pa Ma Ga Re Sa Vadi :...
-
scale of
South Indian classical music). It is an
audava rāgam (5
notes in
arohana and avarohana) as it does not have all the
seven swaras (musical notes)...
-
pentatonic ascending scale). Its
ārohaṇa-avarohaṇa
structure (ascending and
descending scale) is as follows:
ārohaṇa : S R₂ M₁ P N₂ Ṡ avarohaṇa : Ṡ N₂ D₂ P M₁ G₃ R₂ S...
- rare raga
Ahiri or Abhiri, or
perhaps a
mixture of
Bhairav and Bageshree.
Arohana: S Ṟ G M P D Ṉ Ṡ Avarohana: Ṡ Ṉ D P M G Ṟ S Key: S, G, M, P, D: shuddha...
- ma pa dha ni. Its
ārohaṇa-avarohaṇa
structure is as
follows (see
swaras in
Carnatic music for
details on the
notations used):
ārohaṇa : S R₂ G₂ M₁ P D₁ N₂ Ṡ...
-
classification (i.e., a
ragam that has five
notes in both its
arohana and avarohana). Its
ārohaṇa-avarohaṇa
structure (ascending and
descending scale) using...
-
classified as Audava-Sampurna – 5
notes in
ārohaṇa and 7 in the avarohaṇa – Shadava-Sampurna – 6
notes in
ārohaṇa and 7 in the avarohaṇa, as in
Kambhoji raga...
