- what
later came to be
called "mode"), and (3)
harmonia (harmony) – pl.
harmoniai – this
third term
subsuming the
corresponding tonoi but not necessarily...
-
reproduces information from
Chalmers (1993). It
shows the
common ancient harmoniai, the
tonoi in all genera, and the
system as a
whole in one
complete map...
-
three very
different but
interrelated subjects: one of the
Ancient Gr****
harmoniai (characteristic
melodic behaviour, or the
scale structure ****ociated with...
- to one of
three things: the name
applied to one of the
ancient Gr****
harmoniai or tonoi,
based on a
particular octave species or scale; one of the medieval...
- The word Aeolian, like the
names for the
other ancient Gr****
tonoi and
harmoniai, is an
ethnic designation: in this case, for the
inhabitants of Aeolis...
-
scholars gave
names drawn from the ones used to
describe the
ancient Gr****
harmoniai. The name "Phrygian" was
applied to the
third of
these eight church modes...
-
Claude Palisca explains that the
difficulty lies in the fact that "the
harmoniai had no finals, dominants, or
internal relationships that
would establish...
-
coincide with the
ancient Dorian or
Phrygian harmoniai transmitted by
Aristides Quintili****, the
Damonian harmoniai, in
enharmonic genus,
which was
usual in...
-
Modal System of
Ancient Gr**** Music,
Followed by a
Survey of the Gr****
Harmoniai in
Survival Or
Rebirth in Folk-music, Methuen, 1939 A. R. Meuss, Intervals...
