-
adjectival form is fugal.
Variants include fughetta ("a
small fugue") and
fugato (a p****age in
fugal style within another work that is not a fugue). A fugue...
- the
formal fugue that
preceded it and the one that
follows it. It is a
fugato, a
section that
combines contrapuntal writing with homophony. "After the...
-
explorations and counterpoint,
including a new
scalar figure in bars 165-173 and a
fugato derived from the main
theme of the
second group (mm. 236-246). The music...
-
introduction in a
marked "dotted rhythm",
followed by a
lively movement in
fugato style. The
overture was
frequently followed by a
series of
dance tunes before...
- theme,
similar to that of the
later C
major Concerto No. 21, but
introduced fugato. The
orchestral introduction builds to an
impressive tutti, but many writers...
- Finally, a
distinctive characteristic of this
symphony is the five-voice
fugato (representing the five
major themes) at the end of the
fourth movement....
-
polyphony (interplay of the voices). It also
contains a
small section of
fugato set to the text 'Komm, ich will mich dir ergeben'. The
theme of the text...
- exposition's
first subject is
composed in
fugato and
features an
incredible display of
musical development. The
fugato ends with a
section featuring non-fugal...
- in the
wrong key (G
major instead of C major); a
pathetic attempt at a
fugato, also in the last movement. The
piece is
notable for one of the earliest...
-
stripes we are healed"
chorus from Handel's Messiah,
since the
subject of the
fugato is the same with only
slight variations by
adding ornaments on melismata...
