- (familiar in folk traditions), the canon, and
perhaps the most
complex contrapuntal convention: the fugue. All of
these are
examples of
imitative counterpoint...
- In
music theory,
contrapuntal motion is the
general movement of two
melodic lines with
respect to each other. In
traditional four-part harmony, it is important...
-
Contrapuntal Forms (BH 165) is a
stone sculpture by
Barbara Hepworth, one of her
first public commissions, made in 1950–51 for the
Festival of Britain...
- 01273 13.
Musical Offering, Art of the
Fugue (see also: List of late
contrapuntal works by
Johann Sebastian Bach) Up ↑ 1079 13. 1747-07-07
Musical Offering...
- In
classical music, a
fugue (/fjuːɡ/) is a
contrapuntal,
polyphonic compositional technique in two or more voices,
built on a
subject (a
musical theme)...
- Progressively, and in
large part at the
hands of
Mozart himself, the
contrapuntal complexities of the late
Baroque emerged once more,
moderated and disciplined...
- top-to-bottom
elements in an interval, a chord, a melody, or a
group of
contrapuntal lines of music. In each of
these cases, "inversion" has a
distinct but...
- (1685–1750): 15 inventions,
which are two-part
contrapuntal pieces, and 15 sinfonias,
which are three-part
contrapuntal pieces. They were
originally written as...
- "George Lieder" Op. 15/1
presents what
would be an "extraordinary"
chord in
tonal music,
without the harmonic-
contrapuntal constraints of
tonal music....
-
alternating between sections of the
orchestra and
attempting to
incorporate contrapuntal ideas. Davis'
score combines orchestral,
choral and
synthesizer elements;...