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Echos (Gr****: ἦχος [ˈixos] "sound", pl.
echoi ἦχοι [ˈiçi]; Old
Church Slavonic: гласъ [glasŭ] "voice, sound") is the name in
Byzantine music theory for...
-
manual "Hagiopolites" of 16
church tones (
echoi), the
author of this
treatise introduces a
tonal system of 10
echoi. Nevertheless, both
schools have in common...
- may be
flattened to ta. The
older Byzantine system still retains eight echoi (sing. ἦχος – echos), each
consisting of a
small family of
closely related...
-
their own mele and
compositions like the
other echoi, they were
subordinated to the
eight diatonic echoi according to the
pitches or
degrees of the mode...
- as a
didactic chant called Mega Ison
which p****ed
through all the
eight echoi of the octoechos,
while the
singers memorize the
signs and
studied their...
-
Hagiopolites the
eight echoi ("modes") were
divided in four "kyrioi" (authentic)
echoi and
their four
respective plagioi (enriched, developed)
echoi,
which were...
- of the ten
modes of the
Hagiopolitan Octoechos consisting of 8
diatonic echoi and two
additional phthorai. It is used in
different traditions of Orthodox...
-
eight church modes, but its
compilator also
mentions the Gr**** (Byzantine)
echoi translated by the
Latin term sonus. Thus, the
names of the
modes became...
-
Arabic scales The
Hungarian minor scale The
Byzantine music scales (called
echoi) The
Persian scale Scales such as the
pentatonic scale may be considered...
-
translations into
Church Slavonic. The
Slavonic system counted the
plagioi echoi as
glasa 5, 6, 7, and 8. For reference,
these differences are
shown here...
