- An
Avarohana,
Avarohanam or Avaroha, in the
context of
Indian classical music, is the
descending scale of any raga. The
notes descend in
pitch from the...
- in
Carnatic music classification –
audava meaning 'of 5'). Its ārohaṇa-
avarohaṇa structure (ascending and
descending scale) is as
follows (see
swaras in...
-
whereas Shubhapanthuvarali uses the
panchamam in both the
arohana and
avarohana. The
Carnatic Melakarta Hanumatodi is the
equivalent of
Bhairavi thaat...
- Audava-Sampurna – 5
notes in ārohaṇa and 7 in the
avarohaṇa – Shadava-Sampurna – 6
notes in ārohaṇa and 7 in the
avarohaṇa, as in
Kambhoji raga and so forth. Sampurna-Sampurna...
- r S.
Madhyam is an
important note. Arohana : Sa Re Ga Ma Pa Dha Ni Ṡa
Avarohana : Ṡa Ni Dha Pa Ma Ga Re Sa Vadi : Ma/Pa Samavadi : sa The rich culture...
-
perhaps a
mixture of
Bhairav and Bageshree. Arohana: S Ṟ G M P D Ṉ Ṡ
Avarohana: Ṡ Ṉ D P M G Ṟ S Key: S, G, M, P, D:
shuddha (natural); r, n :
komal (flat);...
- (i.e., a
ragam that has five
notes in both its
arohana and
avarohana). Its ārohaṇa-
avarohaṇa structure (ascending and
descending scale)
using swaras in...
-
Indian classical music). It is an
audava rāgam (5
notes in
arohana and
avarohana) as it does not have all the
seven swaras (musical notes).
Hindolam is...
-
between 7 and 10 p.m. The raga
contains five
notes each in
Arohana and
Avarohana; Sa
Shuddha Ga and
Shuddha Ni;
TeevraMadhyama and Pa. It is classified...
- ārohaṇa-
avarohaṇa structure is as
follows (see
swaras in
Carnatic music for
details on the
notations used): ārohaṇa : S R₂ G₂ M₁ P D₁ N₂ Ṡ
avarohaṇa : Ṡ N₂ D₁ P M₁ G₂ R₂ S...
