-
considerably different qualities of consonance. The
octave species in the
Aristoxenian tradition were: Mixolydian:
hypate hypaton–paramese (b–b′) Lydian: parhypate...
-
scale Thomas J. Mathiesen, "Greece, §I: Ancient: 6.
Music Theory: (iii)
Aristoxenian Tradition: (d) Scales". The New
Grove Dictionary of
Music and Musicians...
-
division schemes as well as
providing a
gloss of the Gr****
system as
Aristoxenian doctrines were
often included. The tetrachord, a
fundamentally incomplete...
- of the
governance of the ear and
voice in
understanding music unites Aristoxenian and
Pythagorean concerns,
normally regarded as antitheses. In the midst...
-
corresponding tonoi but not
necessarily the converse. The Gr****
scales in the
Aristoxenian tradition were: Mixolydian:
hypate hypaton–paramese (b–b′) Lydian: parhypate...
- Eisagōgē in some m****cripts to
Euclid or
Pappus is
incompatible with the
Aristoxenian approach adopted in the treatise. A few m****cripts name a "Zosimus"...
-
Oxford University Press. ISBN 0-19-311306-6. Williams, C. F. A., The
Aristoxenian Theory of
Musical Rhythm, (Cambridge
Library Collection—Music), Cambridge...
- Brunswick:
Transactions Publications. Levin,
Flora (1972). "Synesis in
Aristoxenian Theory".
Transactions and
Proceedings of the
American Philological ****ociation...
- tonoi, or
transposition keys. Ptolemy's
system differed from the
earlier Aristoxenian model,
which had
thirteen transpositional levels each a
semitone from...
-
didactic writings of
Georgius Pachymeres and
Manuel Bryennios,
except the
Aristoxenian fragments, and
later authors including Nichomachus, Cleonides, Theon...
