-
Dhaivata (Sanskrit: धैवत, romanized: Dhaivata) is the
sixth svara from the
seven svaras of
Hindustani music and
Carnatic music.
Dhaivata is the long form...
- most used, prin****l note of a raga on
which a
pause may be taken) is
dhaivat and the
samavaadi swar (the second-most used
important note ****isting the...
- used with
Panchama in the
phrase PA MA' GA MA GA. In Avaroha,
Rishabh and
Dhaivat are not used as
resting notes, but they are used in meend. In this raag...
- (षड्ज),
Rishabh (ऋषभ),
Gandhar (गान्धार),
Madhyam (मध्यम),
Pancham (पंचम),
Dhaivat (धैवत) and
Nishad (निषाद). The
svaras of the
sargam are
often learnt in...
- (i.e. Shadaj, Rishabh, Gandhar, Madhyam, Pancham,
Dhaivat and Nishad). But the
rishabh and the
dhaivat are
komal both in
ascent and
descent and the madhyam...
- Avaroha: Ṡ Ṉ D P M G̱ R S The raga has
komal Ni and Ga.
Rishabh (second) and
dhaivat (sixth) are
skipped in āroha (ascending) p****ages, but are
given due importance...
- raga
belonging to
Bhairav Thaat. In this raga, as in Bhairav,
Rishabh and
Dhaivat are Komal(flat), but the
Teevra and the flat
nishad are added. The vadi-samvadi...
-
Shadja (Sa),
Rishabha (Re), Gāndhāra (Ga),
Madhyama (Ma),
Panchama (Pa),
Dhaivat (Dha),
Nishada (Ni),
Shadja (Sa)
which comprise a
musical scale in Indian...
- music. The notes, or swar, are Shadj, Rishabh, Gandhara, Madhyam, Pancham,
Dhaivat, Nishad. When
singing these become Sa, Re, Ga, Ma, Pa, Dha, Ni, and sargam...
-
genres of
Bhajan and the
light classical form of Thumri. The
Rishabh and
Dhaivat used here are
oscillating which is
strongly recommended in this Raga and...
