-
Shadja is the
first svara out of the
seven svaras of
Hindustani music and
Carnatic music.
Shadja is the long form of the
syllable सा. For
simplicity in...
-
Bhinna Shadja is a raga of
Hindustani classical music belonging to the
Bilaval Thaat (Melakarta No. 29 Dheerashankarabharanam). It
contains five Shuddha...
- षड्जादयः स्वराः न भवन्ति आकारादयः एव स्वराः
Shadja aadayah svaraah na
bhavanti aakar aadayah eva
svaraah i.e.
Shadja, Rishabh, Gandhar, ... (and
their utterance)...
-
scale of
notes in a raga. The
pitch increases as we go up from
Shadja (Sa) to the Taar
Shadja (Sa),
possibly in a
crooked (vakra) manner. In
Hindustani classical...
-
Indian classical music. The two
singers give
prominence to the
Shadja-Madhyam and
Shadja-Pancham Bhav, with the ‘ma’ note of the
female voice becoming...
- Saptak. It is said that
Shadja is the
basic svara from
which all the
other six
svaras are produced.
Breaking the word
Shadja yields Shad And Ja. It means...
- the set of
swaras i.e.
Shadja (Sa),
Rishabha (Re), Gāndhāra (Ga),
Madhyama (Ma),
Panchama (Pa),
Dhaivat (Dha),
Nishada (Ni),
Shadja (Sa)
which comprise a...
- Re is the
immediate next
svara of
Shadja (Sa). The
svara of
Rishabha is
Komal and Shuddha. It is said that
Shadja is the
basic svara from
which all the...
-
natural consonance between notes; the best
between Shadja and Tar
Shadja, the next best
between Shadja and Pancham. The
Natyashastra also
suggests the notion...
- the
svara Shadja. It is said that
Shadja is the
basic svara from
which all the
other 6
svaras are produced. When we
break the word
Shadja then we get...
