- master,
Wethey reduced the
number to 285
authentic works and
Halldor Sœhner, a
German researcher of
Spanish art,
recognized only 137.
Wethey and other...
-
Epilogue to
Byzantine Culture, 160–174 H.E.
Wethey, El
Greco and his School, II, 56, 80, and 97 H.E.
Wethey. "Greco, El". Encyclopædia Britannica. F. Philipp...
-
Harold Edwin Wethey (April 10, 1902 ―
September 22, 1984) was an
American art
historian and educator. From 1940 to 1972,
Wethey was a
professor of art...
-
Wethey believes it was
painted between 1595 and 1600
because of the
similarities to El Greco's
other piece,
Saint Joseph and the
Christ Child.
Wethey...
- Greco,
Wethey reduced the
number to 285
authentic works.
Halldor Sœhner, a
German researcher of
Spanish art,
recognized only 137. Both
Wethey and Sœhner...
-
Wethey, El
Greco "probably
recalled late
Byzantine paintings in
which the
superposition of
heads row upon row is emplo**** to
suggest a crowd".
Wethey...
- by El Greco, now in the El
Greco Museum in Toledo. It
appears in
Harold Wethey's catalogue raisonné of the artist's
works as
number 137 and in
Tiziana Frati's...
- is
signed doménikos theotokópolis (sic) e`poiei. It is X-433 in
Harold Wethey's catalogue raisonné and 64-g in
Tiziana Frati's. Cossío,
Mayer and Camón...
- de Iongh, 288. Piret, 168. de Iongh, 289. Piret, 171. de Iongh, 273–274.
Wethey, 202. Goss, 132–173 (Music in the
Court Records of Mary of Hungary). de)...
-
Cartagena de Indias. Albuquerque:
University of New
Mexico Press, 2013.
Wethey,
Harold E. "Enrique
Marco Dorta,
Cartagena de Indias. La
ciudad y sus monumentos:...
