-
There are also, however,
elements of
heavy editing—for example, S****y
Kraicer noted that many
scenes have frequent,
rapid cuts,
partially as a result...
- Videographer, the film's
voyeuristic narrator.
Chinese film
scholar S****y
Kraicer saw the film as an
homage to the
writer Wang Shuo, the so-called "bad boy"...
-
Archived from the
original on 4 May 2007.
Retrieved 27
February 2007.
Kraicer, S****ey (2004). "Lost in Time, Lost in SZpace:
Beijing Film
Culture in...
-
Archived from the
original on 4
March 2016.
Retrieved 10
February 2009.
Kraicer, S****y. "Durian Durian: a Review". chinesecinemas.org.
Retrieved 10 February...
- on 2007-12-28.
Retrieved 2007-04-08.
Kraicer, S****y (2002-05-23). "Fish and Elephant:
review by S****y
Kraicer". Chinesecinemas.org.
Retrieved 2008-01-29...
-
Angels Reviews". Metacritic. CBS Interactive.
Retrieved 23
January 2022.
Kraicer 2005, p. 14–15. Botz-Bornstein 2008, p. 101.
Clemens &
Pettman 2004, p...
- Slow pans of men and
landscapes mark the film's
visual style. S****y
Kraicer notes that the slow,
lingering cameras create tableaux of both
bodies ("male...
- Florida,
which I
think was the
first information technology program. S****y
Kraicer and Lisa Roosen-Runge,
Edward Yang: A
Taiwanese Independent Filmmaker in...
-
Generation (1979), to many
American directors throughout his career. S****y
Kraicer; Lisa Roosen-Runge (1998). "Edward Yang: a
Taiwanese independent filmmaker...
- come out of the
early years of the movement.
China cinema scholar S****y
Kraicer referred to the film as "one of the most
disturbing and
important recent...
