-
Baroque era. In the
paroisses M****, he uses
plainchant from the
Missa cunctipotens genitor Deus as a
cantus firmus in two
Kyrie movements and in the first...
- Kyrie, "
Cunctipotens genitor" from
Ravenna 453 f. 14r (14th century)
showing one note of
voice crossing...
- [doubles of the I or II class]/I
class feasts/solemnities) M**** IV:
Cunctipotens Genitor Deus (for doubles/II
class feasts/feasts of apostles) M**** V:...
- a three-voice setting,
three parts (Kyrie, Christe, Kyrie) with the
cunctipotens ("M**** IV")
chant in the tenor. Tema Rex virginum, a four-voice setting...
- Musically, the
majority of the
organ M****es were
modelled after the
Missa cunctipotens genitor (M**** IV in the
modern collection),
which contained chant melodies...
- Gloria, and the
first Sanctus and
Agnus Dei. His
publication is
based on
Cunctipotens genitor Deus. The
collection also
includes a
Point d'orgue, a
piece based...
-
three m****es use
melodies of M**** XI (Kyrie
Orbis factor), M**** IV (
Cunctipotens genitor), and M**** IX (**** iubilo), respectively. The
chant flows in...
-
influential editions of
liturgical music (including an
edition of
Missa cunctipotens genitor Deus,
which most
French organ composers used as a
model for their...
- not
found elsewhere. He
refers to
dancing the Sanctus, Agnus, and the
Cunctipotens,
showing that the
liturgy was performed. The
Tezaur also
contains the...
- pour le jeu d’Orgues,
Espinettes et
Manicordions sur le
plain chant de
Cunctipotens et
Kyrie Fons. Avec
leurs Et in terra, Patrem,
Sanctus et
Agnus Dei....
