-
Arricam is a 35 mm
movie camera line
manufactured by Arri. It is Arri's
flagship sync-sound
camera line,
replacing the
Arriflex 535 line. The
design was...
-
testing in 1998. In 2000, Arri
purchased the
company Moviecam and
developed Arricam, a 35mm
camera platform. In 2003, Arri
developed its
first digital camera...
- and
motion control,
among other usage.
Before the
introduction of the
Arricam System, the 535 was one of the most po****r 35 mm sync-sound
movie camera...
-
together with
Walter Trauninger and
their camera development team, the
Arricam System,
which combined the
basic movement and
design of the
Moviecam systems...
- used
motion picture camera company Arri's
Arriflex 435,
Arriflex 535, and
ArriCam Studio 35mm film
cameras for the trilogy. He used Carl
Zeiss Ultra Prime...
- stock.
Scenes where Oscar is
alive were shot in the
super 35
format with
Arricam LT cameras, and the rest in
super 16 with an
Aaton XTR Prod. The cinematographer...
-
Slave on 35 mm film with a 2.35:1
widescreen aspect ratio using both an
Arricam LT and ST. "Particularly for a
period piece, film
gives the
audience a...
-
Super 16mm and 35mm film
stock by
cinematographer Claire Mathon using the
Arricam LT, and
Arriflex 416 Plus. To
achieve the film's
specific look, she used...
- AOI Pro producing.
Cinematographer Kondo Ryuto used 35 mm film with an
Arricam ST,
aware 35 mm was a
preference of Kore-eda's and also s****ing the right...
- 5218 and Vision2
Expression 500T 5229 film stocks. The film was shot with
Arricam and
Arriflex cameras and
Cooke S4 lenses.
Several scenes required multiple-camera...
