- (congas),
Martinez and Diaz
reflect the
tendencies of
their generation of
rumberos in
combining these instruments,
which widens the
sonic plane to include...
-
personnel and
their instruments, and
record buyers came to know
other Cuban rumberos, such as
Armando Peraza,
Francisco Aguabella,
Julito Collazo,
Carlos Vidal...
-
Escovedo – percussion,
backing vocals Luis
Gasca –
trumpet on "Para los
Rumberos"
Mario Ochoa –
piano solo on "Guajira" The
Tower of
Power Horns – horn...
-
called "conguera".
Other common terms are "timbero" and "timbera", or "
rumbero" and "rumbera" if one
plays congas in
rumba setting.
Although ultimately...
- in the
category of "Outstanding C****ography" for her
mambo "Para Los
Rumberos" (performed with
partner Hélio Castroneves) on
Dancing with the Stars....
- ever-present
rumberos.
Mostly young, street-toughened drummers,
rumberos were
integral to each
comparsa (something like a "jam club"),
since rumberos provided...
- With
Michael Stuart 2007 – Un Amor Tan
Grande (from
Sentimiento De Un
Rumbero) With
Yolandita Monge 2008 – Mala (Tropical Remix) (from "Mala") With Tito...
- 1952 in the
barrio of La Marina, city of Matanzas, Cuba, a
group of
young rumberos stopped off at
their local tavern El
Gallo after work.
While unwinding...
-
congas are
called tumbadoras.
Conga players are
called congueros,
while rumberos refers to
those who
dance following the path of the players. The term "conga"...
- el
Mariachi Vargas de Tecalitlán.
Eddie Palmieri on his 1998
album El
Rumbero del Piano. Luis
Alberto del Paraná y su Trio Los
Paraguayos on
their 1959...
