-
Alain Resnais: the Rôle of Imagination. (London:
Secker & Warburg, 1978.) p.11.
Resnais quoted in, and
translated by, Emma Wilson,
Alain Resnais. (Manchester:...
-
Dauman approached filmmaker Alain Resnais, who had
experience with do****entary
films since 1948. For more than a w****,
Resnais resisted the offer, believing...
-
drama film
directed by
French director Alain Resnais and
written by
French author Marguerite Duras.
Resnais'
first feature-length work, it was a co-production...
-
Alain Robbe-Grillet, and its director,
Alain Resnais. Robbe-Grillet
described its basis:
Alain Resnais and I were able to
collaborate only
because we...
- The ****ociated Left Bank film
community included directors such as
Alain Resnais, Agnès Varda,
Jacques Demy and
Chris Marker.
Using portable equipment and...
-
winter issue of 1969-1970,
praised Resnais for the film's editing,
saying that "one has
never been more
aware of
Resnais exploring time
through timing: matchless...
-
Alain Resnais who
first put
giant rodent heads on his
actors in his 1980 film Mon
oncle d'Amérique, and the rabbits'
dialogue is
reminiscent of
Resnais' Last...
- She had
other small roles in the
early 1990s,
being directed by
Alain Resnais and in Jean-Paul Rappeneau's
Cyrano de
Bergerac with
Gerard Depardieu....
-
which she won a César
Award for Best Actress, and
numerous films of
Alain Resnais,
including Life Is a Bed of
Roses (1983), L'Amour à mort (1984), Mélo (which...
- Doom (Jean-Pierre Melville, France) Muriel, or The Time of
Return (Alain
Resnais, France)
RoGoPaG (Roberto Rossellini, Ugo Gregoretti, Jean-Luc
Godard and...
