- genus, this is a
scale descending from
paramese to
hypate hypaton: in the
diatonic genus, a
whole tone (
paramese to mese)
followed by two
conjunct inverted...
-
tetrachord in the
construction of the system,
paramese, trite, paranete, and nete. The
hypate and mese, and the
paramese and nete are fixed, and a
perfect fourth...
-
tetrachords connected by one
common tone, the synaphe. At the
position of the
paramese, the
continuity of the
system encounters a
boundary (at b-flat, b). To...
- but the two
other standing notes of that scale's
tetrachords (hypate and
paramese) do not come into play in
significant ways as
pitch centers,
whether individually...
-
scales in the
Aristoxenian tradition were: Mixolydian:
hypate hypaton–
paramese (b–b′) Lydian:
parhypate hypaton–trite
diezeugmenon (c′–c″) Phrygian: lichanos...
- tone), respectively. It is the
difference between 7/6 and 9/8 (tritē and
paramesē). The
septimal sixth tone, also
called the jubilisma, is a 7-limit musical...
-
lichanos –
paranete (movable)
parhypate –
trite (movable)
hypate (1:1) –
paramese (3:2) (standing)
Although movable, the
lichanos must
remain above the parhypate...
- be of one form, as <it is possible> for both <of the hypatai> and <the>
paramesê and all such
notes to be oxypyknoi, or so he says. In this way it turns...
