-
Ostrava and Libušín. The film's sets were
designed by the art
director Alois Mecera. It
reflected the
ideology of the
ruling Communist Party and the Stalin-era...
- Lhoták, Carl de Vogt and Ita Rina. The film's art
direction was by
Alois Mecera.
Jindrich Lhoták as
Lukas Carl de Vogt as JUDr.
Holan Ita Rina as Marta...
-
around the city. The film's sets were
designed by the art
director Alois Mecera. It was
remade as 1935
sound film of the same
title with Haas reprising...
-
Helena Busová. The film's sets were
designed by the art
director Alois Mecera. In a
small town,
towards the end of the
Occupation of
Czechoslovakia (1938–1945)...
-
Prague and Beroun. The film's sets were
designed by the art
director Alois Mecera. It was
released in
several Eastern Bloc
countries by
distributor Sovexport...
-
Christian E****enism and the
Abrahamic Faith". In Kireopoulos, Antonios;
Mecera,
Juliana (eds.). E****enical
Directions in the
United States Today: Churches...
-
Christian E****enism and the
Abrahamic Faith". In Kireopoulos, Antonios;
Mecera,
Juliana (eds.). E****enical
Directions in the
United States Today: Churches...
- Czechoslovakia. The film's sets were
designed by the art
director Alois Mecera.
Marie Glázrová as
Gabriela Tuzarová
Karel Höger as Petr
Tuzar Vladimír...
- film's sets were
designed by the art
directors Štěpán Kopecký and
Alois Mecera.
During the
Second World War,
Czech resistance fighters in a
village shelter...
-
Churches on a
Theological Journey, eds.
Antonios Kireopoulos and
Juliana Mecera. New York:
Paulist Press, 2011. "The Spirit, Vocation, and the Life of the...
