- manner. In raga Darbari, an Asavari-thaat raga with vadi-samvadi R-P, the
avroha is R' n S' d~ n P, m P g~ m R S, with
andolan on the
dhaivat and gandhar...
-
Harikambhoji is the
equivalent rāgam in
Carnatic music. Arohana: S G M P D N Ṡ
Avroha: Ṡ Ṉ D P M G R S Vadi Swar: G
Samavadi Swar: N In Dhrupad, Sadra, Khayal...
- vadi-samvadi are
Pancham and Shadja. The
aroha is S r G M P, G M d N S' and the
avroha is S' N d P m P, d (N)d P, G M r S. Flat
nishad (seventh degree) and sharp...
- āroha (ascending) p****ages, but are
given due
importance when
descending (
avroha).
Since the
scale has 5
notes ascending and all 7 descending, the resulting...
-
cases Shadav; the
ascending Aaroha scale and the
descending style of the
avroha includes all
seven notes in the
octave (When it is audav, the
Aroha goes...
- Ma Samvadi: Sa Thaat :
Bilaval Jaati :
Audava –
Sampurna Resting notes :
Avroha ga , ni Time :
Evening Asa is a
crooked (vakra) raga
requiring approaches...
- mattu. Rāga
specifies the
rules for
movements up (aaroha [आरोह]) and down (
avroha [अवरोह]) the
musical scale;
which swara (notes)
should figure more and which...
