-
includes the
maximum of
SSATB soloists and
SSAATTBB eight-part choir, and also
indicates that it
contains choral movements for SATB,
SSATB,
SSATBB and SATB/SATB...
- Other: P****ions
performed in this period:
St Mark P****ion, BC D 5b (1726),
St Matthew P****ion, BWV 244b (1727?) and
St. John P****ion, BWV 245 (1728?) Chorale...
-
music lost 191
Gloria in
excelsis Deo, BWV 191
Christmas 1742? 25 Dec 1745
ST SSATB 3Tr Ti 2Ft 2Ob 2Vl Va Bc in
Latin ♫ 192 Nun
danket alle Gott, BWV 192 ZZZ_unknown...
-
dozen Magnificats for
SSATB choir, and one for soli,
SSATB double choir and orchestra. Kuhnau's
Magnificat setting also used a
SSATB choir. Bach had already...
-
composer set the
motet for five parts, two sopranos, alto,
tenor and b**** (
SSATB). He
followed an
example by
Orlande de L****us of the same text also for...
-
contributed to by Bach include: BWV 244–247: P****ions (
St Matthew P****ion;
St John P****ion;
St Luke P****ion;
St Mark P****ion) BWV 248–249:
Oratorios (Christmas...
-
Title Key Date
Instrumentation Notes XXI:1 Il
ritorno di
Tobia C
minor 1775
SSATB soloists,
mixed choir,
orchestra revised in 1784 and 1806 by
Sigismund von...
- in Bach's motets: BWV 226/2 • 227/1=/11, /3 (
SSATB) and /7 • 229/2 Four-part
chorales appearing in the
St Matthew P****ion: BWV 244/3, /10, /15≈/17, /25...
-
arioso for b**** BWV 1088, and Der
Gerechte kömmt um (an
arrangement of a
SSATB motet attributed to
Johann Kuhnau). The
pasticcio may have been performed...
- the
baroque style of the
period and is
scored for five
vocal soloists (
SSATB), five-part chorus,
strings and continuo. It is
thought that the work was...
