-
quoted in
Nectoux (1984), pp. 1–2
Nectoux (1984), p. 2
Nectoux (1991), p. 502; and Jones, p. 20
Nectoux (1991), p. 12
Nectoux (1991), p. 508
Nectoux (1991)...
- p. 81 Rutter, p. 3
Nectoux (1991), p. 116
Nectoux (1991), p. 122
Nectoux (1991), p. 514 Orledge, p. 115 Steinberg, p. 135
Nectoux, pp. 117–120 Park and...
- Jean-Michel
Nectoux writes that the Élégie was one of the last
works in
which the
composer allowed himself "such a
direct expression of pathos."
Nectoux regards...
-
conducted by Yan
Pascal Tortelier (1995).
Nectoux, p. 61
Nectoux, p. 36 Anderson, p. 4
Nectoux, p. 48
Nectoux, p. 62 Phillips, p. 82 Orledge, p. 95 Morrison...
- by Fauré
Nectoux, p. 147
Nectoux, p. 276
Nectoux, p. 548 Duchen, p. 217
Nectoux, pp. 155–156 Duchen, pp. 132 and 217; and Jones, p. 90
Nectoux, Jean-Michel...
- Avis, p. 6 Debussy, p. 10. Campbell, p. 164 Jones, p. 90
Nectoux, p. 149
Nectoux, pp. 48–49
Nectoux, p. 147 Orledge, Robert. "Fauré's 'Pelléas et Mélisande'"...
- (1993).
Notes to EMI CD CDM 7-64715-2
Nectoux. p. 172
Nectoux, p. 34 Fauré (1984), pp. 130–131
Nectoux, p. 510
Nectoux, p. 338 " Las meninas", Bibliothèque...
- 27
Nectoux, p. 269
Simeone (2000), p. 212 Thompson, p. 70 Thompson, p. 77 Fulcher, p. 71 Thompson, p. 82 Wenk, p. 205 Holloway, pp. 21 and 42
Nectoux, p...
- of
white stone The
fountains tall to sob with
ecstasy Nectoux, p. 338
Nectoux, p. 540
Nectoux, pp. 67 and 540 Johnson,
Graham (2005).
Liner notes to...
-
Nectoux (1991), p. 379
Nectoux (1991), p. 51
Nectoux (1991), p.51; and
Duchen (2000), p. 61 Jones, p. 51; and Morrison, p. 11 Jones, p. 51.
Nectoux and...
