- A
section is of
remarkable melodic construction.
Musicologist Hugo
Leichtentritt (1874–1951)
believes its
asymmetric structure, (5 + 3) + (5 + 7) bars...
- Berlin: Max
Hesses Verlag, 1922, p. 100.
Leichtentritt, p. 100
Leichtentritt, p. 101
Leichtentritt, p. 102
Leichtentritt, p. 103 Finlow, Simon."Twenty-seven...
- Hugo
Leichtentritt (1
January 1874, Pleschen, Polish: Pleszew,
nearby Posen,
Province of Posen – 13
November 1951, Cambridge, M****achusetts) was a German-Jewish...
-
structuring of the
melody as well as
polyphonic texture.
Musicologist Hugo
Leichtentritt (1874–1951)
describes the three- (and
sometimes four-)
voice texture...
- Busoni's
cadenzas for Beethoven's
Piano Concerto No. 4. In 1917, Hugo
Leichtentritt suggested that the
Second Violin Sonata Op. 36a (BV 244), completed...
-
extended and
ornamented D-flat
major cadence.: 107
Musicologist Hugo
Leichtentritt (1874–1951)
compares the left hand of bars 33–48 to horn signals.: 108 ...
-
exception of Hans von Bülow who
suggests = 114.
Musicologist Hugo
Leichtentritt (1874–1951)
calls the étude a "moto perpetuo". The
transparent texture...
- Études." A
compendium to Chopin:
Genius of the Piano. E-Book, 2010.
Leichtentritt, Hugo. "Die Etüden." In
Analyse der Chopin'schen
Klavierwerke [Analysis...
- from The Well-Tempered
Clavier has been
noted by
musicologist Hugo
Leichtentritt (1874–1951),
among others. A
fictional example of Chopin's harmonies...
- Machine.
Manzetti (1928). p. 332.
Smith and
Dinneen (1944). p. 45.
Leichtentritt (1944). p. 326. Davey. p. 56.
Monson (2002). p. 27.
Lockwood (1957)...
