-
using Graha bhedam,
yields four
other major pentatonic rāgams, namely, Mohanam, Hindolam,
Madhyamavathi and
Shuddha Saveri.
Graha bhedam is the step taken...
-
Graha Bhedam in
Carnatic music is the
process (or
result of the process) of
shifting the
Tonic note (śruti) to
another note in the rāgam and
arriving at...
- "Avatarisu Baa Narayana" "Pillangoviya" Mohanam's
notes when
shifted using Graha bhedam,
yields 4
other major pentatonic rāgas, namely, Hindolam,
Shuddha Saveri...
-
scientific aspect of this rāgam. Madhyamavati's
notes when
shifted using Graha bhedam,
yields 4
other major pentatonic rāgas, namely, Mohanam, Hindolam, Shuddha...
-
notes when
shifted using Graha bhedam,
yields 2
other pentatonic rāgams, namely,
Sunadavinodini and Revati.
Graha bhedam is the step
taken in
keeping the...
-
notes when
shifted using Graha bhedam,
yields 2
other pentatonic rāgams, namely,
Shivaranjani and Sunadavinodini.
Graha bhedam is the step
taken in keeping...
- when
shifted using Graha bhedam,
yields 3
other major melakarta rāgams, namely, Shoolini,
Dhenuka and Chitrambari.
Graha bhedam is the step
taken in keeping...
- Amritavarshini's
notes when
shifted using Graha bhedam,
yields 1 po****r
pentatonic rāgam,
Karnataka Shuddha Saveri.
Graha bhedam is the step
taken in
keeping the relative...
-
notes when
shifted using Graha bhedam,
yields 2
other Melakarta rāgams, namely,
Chakravakam and Sarasangi.
Graha bhedam is the step
taken in
keeping the...
- the Gunas. The
gunas propel the mind into
different 'formations' (rūpa-
bhedam). The 'mind' (atma) is the
master of the
sixteen material elements. Its...
