-
example comes from Yeats's The
Wanderings of
Oisin (1889). He inters****s
anapests and iambs,
using six-foot
lines (rather than four feet as above). Since...
-
found in the plays.
Tetrameter catalectic verses:
These are long
lines of
anapests,
trochees or
iambs (where each line is
ideally measured in four dipodes...
-
irregularly and can be
better described based on
patterns of
iambs and
anapests, feet
which he
considers natural to the language.
Actual rhythm is significantly...
- 317–33
complex solo
lament by
Philocleon mainly choriamb [-..-] to 323 then
anapests [..-],
reflecting a
change in mood. line 317
symmetrical scene (possibly...
-
almost every line, in
different positions, an iamb is
replaced with an
anapest.[citation needed] "The Road Not Taken"
reads conversationally, beginning...
- pact pae-
strike Gr**** παίειν (paíein), (paistos) anapaest, anapaestic,
anapest,
anapestic paed-, ped-
child Gr**** παῖς, παιδός (paîs, paidós), παιδικός...
- (Ὑποθῆκαι) were
composed in
elegiac couplets.
Pausanias also
mentions Anapests, a few
lines of
which are
quoted by Dio
Chrysostom and
attributed to Tyrtaeus...
-
using terms borrowed from the
metrical feet of poetry: iamb (weak–strong),
anapest (weak–weak–strong),
trochee (strong–weak),
dactyl (strong–weak–weak), and...
- an
extra syllable in the
final foot of the line (this can be read as an
anapest (dada DUM) or as an elision).
Percy Bysshe S****ey also used
skilful variation...
-
structured symmetrically in two sections, each half
comprising long
verses of
anapests that are
introduced by a
choral song and that end in a pnigos. In the first...
