Definition of Disjunct tetrachords. Meaning of Disjunct tetrachords. Synonyms of Disjunct tetrachords

Here you will find one or more explanations in English for the word Disjunct tetrachords. Also in the bottom left of the page several parts of wikipedia pages related to the word Disjunct tetrachords and, of course, Disjunct tetrachords synonyms and on the right images related to the word Disjunct tetrachords.

Definition of Disjunct tetrachords

Disjunct tetrachords
Disjunct Dis*junct", a. [L. disjunctus, p. p. of disjungere to disjoin. See Disjoin, and cf. Disjoint.] 1. Disjoined; separated. [R.] 2. (Zo["o]l.) Having the head, thorax, and abdomen separated by a deep constriction. Disjunct tetrachords (Mus.), tetrachords so disposed to each other that the gravest note of the upper is one note higher than the acutest note of the other.

Meaning of Disjunct tetrachords from wikipedia

- are constructed from conjunct or disjunct tetrachords. Conjunct tetrachords share a note, while disjunct tetrachords are separated by a disjunctive tone...
- are organized against a background pattern formed of conjunct and disjunct tetrachords, producing a larger pitch system called the gamut. The chants can...
- enharmonic tetrachords is: D   E   F   G ‖ A   B   C   D   or, in music notation starting on E: , with the corresponding conjunct tetrachords forming A...
- ****umption that its orientation notes are the standing notes of a set of disjunct tetrachords forming the Phrygian octave species does not sufficiently illumine...
- post-****es Brew type of mixed Jazz/rock. The enharmonic genus of the Gr**** tetrachord consisted of a ditone or an approximate major third, and a semitone, which...
- It viewed other diatonic scales as differently overlapping disjunct and conjunct tetrachords: E scale: E–F–G | A–B–C–D = D–E F scale: F–G | A–B–C–D = D–E–F...
- lowest tetrachords by avoiding the lichanos, while above the mese there is modulation between a conjunct chromatic tetrachord (C D♭ D F) and a disjunct diatonic...
- observation that the important tones of both melodies outline descending tetrachords, evidence of the influence of Bartók, who often used fourths as a structural...